An interesting ritual is the looting of kheer (milk-pudding) which is cooked in two large cauldrons called degs and distributed to the devotees as tabarruk (blessed food).
On the 6th of Rajab, after the usual mehfil and the sound of cracker-bursts accompanied by music, the Sajjada Nashin performs the ghusal of the tomb. Fatiha and Salamti are read. A poetic recitation called mushaira is arranged in which poets of all communities arrive to recite compositions dedicated to the Khwaja. The Qul (end-all) on the 6th of Rajab marks the end of the Urs.
At night, religious assemblies called mehfils are held in the mehfil-khana, a large hall meant for this purpose. These are presided over by the Sajjada Nashin of the dargah.
Qawwalis are sung and the hall is packed to capacity. There are separate places reserved for women who attend the mehfil. The mehfil terminates late in the night with a mass prayer for the eternal peace of the Khwaja in particular and mankind in general.
The Dargah is located at the conjunction of three bazaars. There are a number of restaurants around the Dargah where visitors can choose from a variety of dishes most of which are non-vegetarian preparations. Guest houses on the road leading to the Dargah offer accommodation that ranges from economical to luxurious. Many other guest houses are strewn across the city.
The shops in the market around the Dargah sell flowers, prayer mats, rosaries, textiles, and general merchandise as well. Ajmer is 132 kms. south-west of Jaipur and 198 kms. east of Jodhpur. It is connected by road to Jaipur, Jodhpur, Bikaner, Udaipur and Kota. Ajmer is a railway junction on the Delhi-Ahmedabad section of the Western Railway. During the Urs, special buses ply from cities all over India carrying people to Ajmer and back.
Excursion of Ajmer :
Kishangarh is 27 Kms north east of Ajmer and was founded by Kishan Singh a Rathore Prince. In the 18th century it acclaimed fame as one of the finest schools of miniatures paintings. Though a smaller school with a much shorter duration it had a more refined style. It peaked under the patronage of Savant Singh an heir to the throne, who later became a hermit. It is said that Savant Singh modeled as Krishna while his mistress nicknamed as Bani Thani modelled for Radha. Paintings of Bani Thani are it most celebrated. The artist of this school favoured evening lights and grey skies with fine colours.
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